This track should work very well if used to score the introduction of a major supervillain, revelations about his or her plot, or a dramatic monologue by said villain while the superheroes fester in a deathtrap or something. The track is short (only about 1:40) and the ending is very definitive, so it doesn’t loop perfectly, but it’s not terribly jarring.

This is another great work from Bailey Records. It captures the essence of the idea nicely. I wish it were a bit longer, but I will be using this in my gaming sessions for sure<br><br> <b>LIKED</b>: I liked the support Bailey Records has. Stratos was very helpful in fixing a problem I an encountered. <br><br><b>DISLIKED</b>: I wish the song was longer.<br><br><b>QUALITY</b>: Very Good<br><br><b>VALUE</b>: Very Satisfied<br>

Excellent! This sounds like something out of a 1930s pulp serial. Led by strings it alternates menace and spookiness.

If anything the orchestration in this track is even better than ENTER THE HERO.

Again this is too up-front to really work as background music. I'm not quite sure of the best way to use this in-game. It might work well as an accompaniment to some cut-scene narration.<br><br><b>LIKED</b>: Good use of variations in string textures, a simple but ominous string hook and some nice variations away from that hook.<br><br><b>DISLIKED</b>: Again at 1'39" it's too short! I'd love to hear these guys do a 5-10 minute piece that really stretched the musical themes a bit and that could be looped less intrusively.<br><br><b>QUALITY</b>: Excellent<br><br><b>VALUE</b>: Very Satisfied<br>